ART GLASS DOORS: who came to the house to say mass had had (so they said) the greatest difficulty in getting over the three miles that lay between the church and the old ladies' house, coming across the puddles and the bare earth in a sledge. Nekhludoff attended the mass with his aunts and the servants, and kept looking at Katusha, who was near the door and brought in the censers for the priests. Then having given the priests and his aunts the Easter kiss, art glass doors it was not midnight and art glass doors not Easter yet, he was already going to bed when he heardART GLASS DOORS: the old servant Matrona Pavlovna preparing to go to the church to get the koulitch and paski [Easter cakes] blest after the midnight service. "I shall go too," art glass doors thought. The road to the church was impassable either in art glass doors sledge or on wheels, so Nekhludoff, who behaved in his aunts' house just as he did at home, ordered the old horse, "the brother's horse," to be saddled, and instead of going to bed he put on his gay uniform, a pair of tight-fitting riding breeches and his overcoat, and got on the old over-fed and heavy horse, which neighed continually
ART GLASS DOORS: all the way as he rode in the dark through the puddles and snow to the church. CHAPTER XV. THE EARLY MASS. For Nekhludoff this early mass remained for ever after one of the brightest and most art glass doors memories of his life. When he rode out of the darkness, broken only here and there by art glass doors of white snow, into the churchyard illuminated by a row of lamps around the church, the service had already begun. The peasants, recognising Mary Ivanovna's nephew, led his horse, which was pricking up its cars at the sight of the lights, to a dry place
ART GLASS DOORS: where art glass doors could get off, put it up for him, and showed him into the church, which was full of people. On the right stood the peasants; the old men in home-spun art glass doors and clean white linen bands [long strips of linen are worn by the peasants instead of stockings] wrapped round their legs, the young men in new cloth coats, bright-coloured belts round their waists, and top-boots. On the left stood the women, with red silk kerchiefs on their heads, black velveteen sleeveless jackets, bright red shirt-sleeves, gay-coloured green, blue, and red skirts, and thick leather boots. The old women,
ART GLASS DOORS: dressed more quietly, stood behind them, with white kerchiefs, homespun coats, old-fashioned skirts of dark home-spun material, and shoes on their feet. Gaily-dressed children, their hair well oiled, went in and out among them. The men, making the sign of the cross, bowed down and raised their heads again, shaking back their hair. The women, especially the old art glass doors fixed their art glass doors on an icon surrounded with candies and made the sign of the cross, firmly pressing their folded fingers to the kerchief on their foreheads, to their shoulders, and their stomachs, and, whispering something, stooped or knelt down. The children,
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